1. What is the purpose of the “Rejected” art show and how does it compare to the “Salon des Refusés”?
The purpose of the “Rejected” art show is to provide a platform for artists whose works were rejected from the State Fair’s juried Fine Arts Competition. Similar to the famous “Salon des Refusés” of 1863 in Paris, which exhibited artworks rejected by the government-sponsored “Paris Salon,” the “Rejected” art show showcases the artworks that did not make it into the State Fair’s competition. Both exhibitions aim to give exposure to art that was not initially recognized by prestigious art events.
In both cases, the chances of acceptance into the main exhibitions are narrow, making the alternative shows an opportunity for artists to have their work seen. The “Rejected” art show at the Burl Community Art Gallery features the artworks of about 70 Minnesota artists who submitted their rejection letters from the State Fair as proof of eligibility. The goal is to provide inspiration and motivation for artists to keep creating, regardless of rejection.
2. How does the Burl Community Art Gallery support Minnesota artists who were rejected from the State Fair’s Fine Arts Competition?
The Burl Community Art Gallery supports Minnesota artists who were rejected from the State Fair’s Fine Arts Competition by hosting the “Rejected” art show. The gallery, formerly known as the Argyle Zebra Gallery, provides a space for these artists to exhibit their work. The only requirement for participation is that the artists submit their rejection letters from the State Fair. By accepting everybody who submits their rejection letter, the gallery aims to prevent artists from experiencing a second rejection.
The gallery owner, Beth Stoneberg, who is also an artist herself, understands the disappointment of being rejected and hopes that the “Rejected” art show will inspire and motivate artists to continue creating. This support from the Burl Community Art Gallery allows Minnesota artists to showcase their talent and gain exposure in the art community.
3. What were the significant contributions and impact of art historian David Anfam’s scholarship on Abstract Expressionism?
Art historian David Anfam made significant contributions to the field of art history through his scholarship on Abstract Expressionism. His in-depth studies on the movement added new chapters to its history, enriching the understanding and appreciation of Abstract Expressionist art. One of his major achievements was the publication of a 1,000-page catalogue raisonné on Mark Rothko’s paintings, which has become a core text for scholars studying Abstract Expressionism.
Anfam’s 2016 Abstract Expressionism survey for London’s Royal Academy of Arts was highly praised and regarded as one of the most pleasurable and provocative exhibitions of American art in Britain. His writings delved into the complexities and depths of artists like Clyfford Still and Jackson Pollock, bringing to light previously unseen aspects of their paintings.
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